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George Bayntun
Home
About Us
About us
The Bookshop
About the bookshop
A selection of our new bindings for sale
A selection of our antiquarian books for sale
A selection of our ephemera for sale
Secondhand books
Our stock on AbeBooks.com
The Bindery
About the bindery
New bindings
Boxes and slipcases
Restorations
The making of a Bayntun-Riviere binding
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Folder: About Us
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Folder: The Bookshop
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About the bookshop
A selection of our new bindings for sale
A selection of our antiquarian books for sale
A selection of our ephemera for sale
Secondhand books
Our stock on AbeBooks.com
Folder: The Bindery
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About the bindery
New bindings
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A selection of our antiquarian books for sale The Art of Spiritual Harmony. KANDINSKY (Walter).
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The Art of Spiritual Harmony. KANDINSKY (Walter).

£300.00

The Art of Spiritual Harmony. Translated with an Introduction by M. T. H. Sadler. Illustrated.

Nine plates and diagrams printed in red and black.

First US Edition. Small 4to. [224 x 176 x 22 mm]. xxv, [iii], 112 pp. Bound in the original quarter hessian, blue paper covered sides, the spine with a printed paper label, plain endleaves, uncut edges. (Spotted and with a light damp stain, the label a little perished).

Boston and New York: [London: printed by Charles Whittingham and Co at the Chiswick Press for] Houghton Mifflin Company, 1914

Some spotting and light foxing, but a good copy in the original binding. With the signature of Joanna La Tourette Mairs, dated 1915 [New York, 1891-1983]. First published in Munich in 1912, this was the first English translation by the young novelist, bibliographer and book collector Michael Sadleir (1888-1957) who had visited Kandinsky in Germany in 1913. It was simultaneously published in London by Constable in 1914. It has been described as "the first coherent arguments for abstract art in the English language and the translation by Sadleir was seen as both crucial in understanding Kandinsky's theories about abstract and a key text in the history of modernism".

Stock no. ebc8833

Add To Cart

The Art of Spiritual Harmony. Translated with an Introduction by M. T. H. Sadler. Illustrated.

Nine plates and diagrams printed in red and black.

First US Edition. Small 4to. [224 x 176 x 22 mm]. xxv, [iii], 112 pp. Bound in the original quarter hessian, blue paper covered sides, the spine with a printed paper label, plain endleaves, uncut edges. (Spotted and with a light damp stain, the label a little perished).

Boston and New York: [London: printed by Charles Whittingham and Co at the Chiswick Press for] Houghton Mifflin Company, 1914

Some spotting and light foxing, but a good copy in the original binding. With the signature of Joanna La Tourette Mairs, dated 1915 [New York, 1891-1983]. First published in Munich in 1912, this was the first English translation by the young novelist, bibliographer and book collector Michael Sadleir (1888-1957) who had visited Kandinsky in Germany in 1913. It was simultaneously published in London by Constable in 1914. It has been described as "the first coherent arguments for abstract art in the English language and the translation by Sadleir was seen as both crucial in understanding Kandinsky's theories about abstract and a key text in the history of modernism".

Stock no. ebc8833

The Art of Spiritual Harmony. Translated with an Introduction by M. T. H. Sadler. Illustrated.

Nine plates and diagrams printed in red and black.

First US Edition. Small 4to. [224 x 176 x 22 mm]. xxv, [iii], 112 pp. Bound in the original quarter hessian, blue paper covered sides, the spine with a printed paper label, plain endleaves, uncut edges. (Spotted and with a light damp stain, the label a little perished).

Boston and New York: [London: printed by Charles Whittingham and Co at the Chiswick Press for] Houghton Mifflin Company, 1914

Some spotting and light foxing, but a good copy in the original binding. With the signature of Joanna La Tourette Mairs, dated 1915 [New York, 1891-1983]. First published in Munich in 1912, this was the first English translation by the young novelist, bibliographer and book collector Michael Sadleir (1888-1957) who had visited Kandinsky in Germany in 1913. It was simultaneously published in London by Constable in 1914. It has been described as "the first coherent arguments for abstract art in the English language and the translation by Sadleir was seen as both crucial in understanding Kandinsky's theories about abstract and a key text in the history of modernism".

Stock no. ebc8833

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